When everything changed, Julien Michaud grabbed a very fine paint marker and a thick paper notebook. Days and pages turned, a drawing on each side. Small pebbles, animals and people, tears and colors drew their world in expansion, in balance. A dozen notebooks later, some of the inhabitants of this world are already emancipating themselves: Grazia's horoscope has been placed under their troubling and unpredictable sign. Miniatures in the margin of an unpublished biography, these creatures live today their own lives. They enact and then abolish their plastic laws: flat tints and materials, rings and shadows form temporary systems in front of the whiteness of the paper. They trace their scenarios, their dramas, their loves. They appear and disappear, change colors and masks to the rhythm of a daily chronicle. Piquant in the manner of the "drôleries" or grotesques, these dreamlike beings that emerge from the plant interlacing of late Gothic manuscripts, Julien Michaud's drawings are not illustrations. Born of an emergency, the fulfillment of a necessary ritual, they have conquered an autonomous existence, which now continues before our eyes. Text by Claire Guha. Website of the artist
This model can be found in the L'Arbre Enchanté collection.
The Enchanted Tree - Planter part B
Availability :
On order - Production time 15 weeks.
Choice not available
Description
28,5x30 - H.22
Collection : The Enchanted Tree
Model : Cache-pot - part B
Designer : Julien Michaud
A round head, as the artist regularly does, features the emblematic "Apple Blossom" motif of the Manufacture, which Julien Michaud has revisited for the occasion under the name "The Enchanted Tree".
For this creation, Julien Michaud has endeavored to offer different composition possibilities.
Totem, or the complete family is composed of 5 pieces. It is the image of a current family: plural, composable and recomposed.
Limited edition of 20 copies.
Creation 2023
Model in : Enamel
Catalogue number: 920000-B
Designer
When everything changed, Julien Michaud grabbed a very fine paint marker and a thick paper notebook. Days and pages turned, a drawing on each side. Small pebbles, animals and people, tears and colors drew their world in expansion, in balance. A dozen notebooks later, some of the inhabitants of this world are already emancipating themselves: Grazia's horoscope has been placed under their troubling and unpredictable sign. Miniatures in the margin of an unpublished biography, these creatures live today their own lives. They enact and then abolish their plastic laws: flat tints and materials, rings and shadows form temporary systems in front of the whiteness of the paper. They trace their scenarios, their dramas, their loves. They appear and disappear, change colors and masks to the rhythm of a daily chronicle. Piquant in the manner of the "drôleries" or grotesques, these dreamlike beings that emerge from the plant interlacing of late Gothic manuscripts, Julien Michaud's drawings are not illustrations. Born of an emergency, the fulfillment of a necessary ritual, they have conquered an autonomous existence, which now continues before our eyes. Text by Claire Guha. Website of the artist
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